The first issue of Graphic Novel Review on Bone: One Volume Edition: “Ignore the larger storyline, the workmanlike High Fantasy backdrop Smith chose to use as an excuse to make us spend time with these characters (we didn’t need an excuse). Focus instead on the individual moments, the […]
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
If all stories were written like science fiction stories: “They selected one of the hydrocarbon-powered ground transports from the queue which waited outside the airport. The fee was small enough that it was not paid electronically, but using portable dollar tokens. The driver conducted his car unit into […]
The Flick Filosopher thinks The Village mistakes a twist ending for good writing: “[Shyamalan] figured Let’s go all the way and make a film that’s nothing but secret sauce. It makes for a film that is frustrating and tedious and then — bam! — slams the audience with […]
“I find it sadly ironic that in worlds only limited by our imagination, no one seems to have one.” Bill Harris (on his blog on sports videogames, Dubious Quality) talks about why City of Heroes doesn’t excite him.
Tee Morris at Strange Horizons worries about elitism in science fiction, gets scathingly rebuked by Nick Mamatas, and less scathingly commented on by Matthew Cheney over at Mumpsimus.
Zachary Houle writes about Michael Chabon’s latest: “The Escapist project is a sprawling, ambitious form of comic-book meta-fiction that bounces back-and-forth between rediscovered potboilers from the ’40s to ’80s and scholarly essays offering context and academic takes on these works.”