Just a critter in the Gutter.
At Strange Harbors, Jeffrey Zhang reviews Benny Chan’s Raging Fire (2021). “Chan, with his swan song, has crafted an ode to the ‘heroic bloodshed’ genre of Hong Kong action cinema. A maelstrom of melodramatic concepts: redemption, brotherhood, duty, honor–and of course–copious amounts of bloodletting, this sub-genre was a […]
At the Guardian, Tauriq Moosa writes about the Mass Effect Trilogy. “This year, when everyone has been encouraged to isolate and death has been omnipresent, experiencing a grand narrative of community has been fulfilling. Mass Effect carefully balances the personal and the political in Shepard’s place in the […]
At Certified Forgotten, friend of the Gutter Christine Makepeace writes about The Final Girls (2015). “Summer camp slashers are a staple of the horror genre. From Friday the 13th to Sleepaway Camp to The Burning, choosing this adult-free setting for your bloodbath is so ubiquitous that it’s become […]
At Bright Wall, Dark Room, Carrie Couregen writes an exquisite piece about Jane Fonda and Klute. “Time has a habit of showing us the ways in which it is a flat circle, always continuing but never really changing. I’ve been thinking a lot lately about what makes a […]
At Movies Silently, Fritzi writes about the 1911 film Custer’s Last Fight, presented by the Quality Amusement Corporation on the 35th anniversary of his death. “There are few former heroes who have fallen in the public regard as far and as fast as Custer. Thanks to the enthusiastic […]
The line up for this year’s Midnight Madness program at the Toronto International Film Festival has been announced and it looks pretty swank indeed. It includes MM alumna Julia Ducornau’s Titane; Kate Dolan’s You Are Not My Mother; Arsalan Amiri’s Zalava; Jean Luc Herbelot’s Saloum; Rob Savage’s Dashcam; […]
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The Cultural Gutter 