This is not a spoiler-free essay. There is a lot of discussion of plot elements. If you like to go into a film blind, you will want to wait to read this piece. ~~~ These are the stories of the robots: They resent us for creating them. They […]
Quick question for y’all: is “my brain has been hijacked by this fictional story and I no longer know how to live in the real world” a valid reason to call in sick to work? I’ve always gotten immersed in stories in a way that blurred the lines […]
Dobaaraa, a Hindi-language film released earlier this year, stands in intriguing contrast to mainstream Indian cinema’s habits, not just in how this compelling remake handles it source material but also just more generally as a contemporary project. It is one of only a handful of Indian adaptations of […]
Carol’s piece on Mattie Do’s The Long Walk (2019) contains plot details. She doesn’t think they’d spoil the movie, but now you know. ~~~ The Long Walk (2019) is a slow-burning blend of genres. It’s a movie that requires some patience (and possibly a second viewing) as it […]
Sachin Hingoo kicks off this year’s Switcheroo Month at the Gutter. This year the Gutter’s editors are writing about reputable art rather than disreputable art for a whole month! Heads up: The following contains minor spoilers for A24’s Everything Everywhere All At Once (2022) and Paramount’s Star Trek: […]
This is not a spoiler-free essay. There is a lot of discussion of plot elements. If you like to go into a film blind, you will want to wait to read this piece. ~~~ These are the stories of the robots: They resent us for creating them. They […]
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The Cultural Gutter 