1972’s Night of the Lepus is one of the last stalwarts of a grand storytelling tradition, all too rare in our decadent, expertise-skeptical times–a tradition that dares to preface the feature with a dry, informative lecture. No time to thread exposition into character-revealing events and dialogue; we begin […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
As is the case for any self-respecting horror fan, the subject of Kyle Edward Ball’s divisive but impossible-to-ignore minimalist sensation, Skinamarink, has been lighting up my group chats. “Did you like it?” “Will I like it?” “What is it?” Friends, I’ll tell you what I tell everyone when […]
A beautiful woman, wearing scarlet from her lips to her toes, drives alone through the city. She’s relaxed, but distracted, as though she’s looking for something, frequently taking her eyes off the road to notice people gathering on balconies overlooking the street–people wearing dark glasses. Languidly, the camera […]
You can always run away screaming. There are higher and lower price tags on that depending on the situation, and mostly I never do, but I find it comforting to know that I could. I often find myself yelling at the characters in horror movies to do exactly […]
Today, Shimako Sato is probably best known as the writer-director behind several entries in the Unfair series, a Japanese action franchise in the mold of Die Hard, but in 1992, she was a new filmmaker, recently graduated from London Film School, and, like any true artist, inspired by […]
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The Cultural Gutter 