Along with the Gutter’s own Carol, I was privileged to receive press credentials for the Nightstream 2021 film festival this year, showcasing an amazing, week-long line-up of features, shorts, and events in a virtual format. Now as the festival draws to a close, I’m reflecting on my favorites […]
In writer-director Prano Bailey-Bond’s debut feature Censor (2021), we meet Enid (Niamh Algar), a pleasant young woman with a not-so-pleasant job: gutting the good parts of bad movies. Enid is a censor. She clearly loves her work though, or at least believes in its value, and if she […]
This week the Gutter’s own Angela has wandered up the stairs of an ruined mansion carrying only a candelabra. She’ll be back next month. In the meantime, ponder and enjoy her piece on Candyman (1990)! ~~~ Bernard Rose’s Clive Barker’s Candyman is an intensely 1990s film. Characters smoke […]
Last time on Angela Reviews a Resident Evil Game…actually, I was talking about the 2019 Resident Evil 2 remake and its implications for the validity of video games as art. (TL;DR: they are, nyah, nyah.) But the time before that, I took a good long look at 2017’s […]
In Saint Maud (2019), the first feature from writer-director Rose Glass, a troubled young hospice nurse becomes obsessed with saving her dying patient’s eternal soul. It’s a hefty premise that might feed into an Oscar contender, the kind with its stars looking skyward past each other on a […]
Content warning for discussions of rape, domestic abuse, child abuse, and spoilers for Ju-On: Origins, too. If you’re familiar at all with Japanese horror, you know Ju-On (2000), its sequels, and English remakes in The Grudge series. Quite possibly you even have chips to lay down on Team […]
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The Cultural Gutter 