Just a critter in the Gutter.
At JSTOR Daily, Amelia Soth writes about fashionable Victorians and their insect jewelry. “The wing-cases of gold-enameled weevils hung from necklaces; muslin gowns were embroidered with the iridescent green elytra of jewel beetles. Tiny golden scarabs were glued to the petals of artificial flowers. Delicate moths were perched […]
Well, Bong Joon-ho didn’t build them himself, but both the Kim families’ apartment and neighborhood and the Park family’s house in Parasite are elaborate sets. Bong talks about it a bit here and Architectural Digest does in depth with director Bong and production designer Lee Ha-jun about creating […]
South China Morning Post looks at the life and work of Tyrus Wong, the uncredited, lead illustrator on Bambi (1942) and so much more. “Wong did not receive credit for his work on the 1942 Disney film even thoughhe was the lead production illustrator. He remained unrecognised for […]
“On the afternoon of May 28, 1903, Leoti Blaker, a young Kansan touring New York City, boarded a Fifth Avenue stagecoach at 23rd Street and settled in for the ride. The coach was crowded, and when it jostled she noticed that the man next to her settled himself […]
SyFy Wire Fangrrls–including friend of the Gutter Sara Century–share their favorite comics of 2019! “There are many reasons that comics will always be a defining part of our nerdverse, but as we look back on the past year, we’re recognizing some of the creators — writers, artists, letterers, […]
At the New Yorker, Christine Smallwood looks at Dorothy B. Hughes’ “forgotten Noir,” The Expendable Man (1963). “The creation of difference itself was her subject. Her books were widely praised for their atmospheres of fear and suspense, and criticized when they reached, as the New York Times said […]
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The Cultural Gutter 