Blade Runner: Designing the Future
In its awesomeness, The Curated Object also has pieces from “Blade Runner: Designing the Future,” including Syd Mead’s conceptual paintings and a promotional, luminescent umbrella.
Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
More Utagawa Kuniyoshi
A Doppelganger. A Giant Carp. A Tengu. The Curated Object has more images from “Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi.”
Ultramen vs. Kaiju
Kaijutastic Ultraman poster art by Takayoshi Mizuki. (via The Japan Society)
Interview with Tony Jaa
Tony Jaa talks about his dharma martial art Nattayut, working with elephants, filming during a territorial dispute and his post-Ong Bak 3 future, including Donnie Yen. (via Wise Kwai)
Christopher Lee Is Metal.
Christopher Lee is Metal. “I have been metal for many years,” he says in a review of his new CD, Charlemagne: By the Sword and the Cross.
“Can Comics Be Scary?”
The Groovy Age of Horror asks, “Can comics be scary?” Josh Simmons, Kimberly Lindbergs, CRWM, Karswell, Richard Sala and Sean T. Collins answer.
The Cultural Gutter 