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Matsumoto Hitoshi has not made an art film, but it sure looks like one.
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Matsumoto Hitoshi has not made an art film, but it sure looks like one.
A stop-motion plastic cowboy, Indian and horse all live together. In Belgium. And they’re adapted by Aardman Animations. And they have a movie, too. Here’s part of an episode of, A Town Called Panic.
A down on his luck salesman gets a mysterious phone call promising him 100 million baht if he undertakes 13 tasks that go increasingly bad. No fun to live, but really good as a film.
Writer Hines examines his writing process and comes up with The Stages of Book Love – I like where the level where the process ends (Hines returns to the joke and vows to actually read Twilight later).
Animator Mark Mayerson takes a stab at the recent big business deal: “Disney and Marvel: Two Creative Failures.”
Grr, argh! Here’s a little undead creatures trailer round-up from the Toronto International Film Festival’s Midnight Madness program: Daybreakers, Survival of the Dead and [Rec]2. Grr, argh!