Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Scare off impudent ruffians and defeat any self-styled Goliath with only your cane or umbrella! Learn Bartitsu, the martial art favored by many Victorian (and some Edwardian) ladies and gentlemen! View a short documentary here. (via Kung Fu Cinema)
Guns. Swords. Paint. Old time Japanese movie posters at Wild Grounds “because there was a time when photoshop disasters didn’t exist.”
“Death is permanent and, in all works of fiction, predetermined. Except in video games, where most of the time it is neither.” At Hit Self-Destruct, Duncan writes about agency, time travel and death.
It’s a sad time for fan of martial arts and Shaw Bros. Filmmaker Ho Meng-Hua has died. Ho started in the 1950s at Cathay studios, but his wuxia and kaiju work at Shaw Bros. Studios is probably more familiar to most fans. He directed Cheng Pei-Pei and Lo […]
Shih Kien has died at 96. He was 61 when he played the villainous Mr. Han opposite Bruce Lee in Enter the Dragon. By then he’d played Villain Kin opposite Kwan Tak-Hing’s Wong Fei-Hung and various villains threatening Connie Chan Po-Chu and Josephine Siao Fong-Fong for decades. Make […]
It’s card-carrying union members vs. scabs in Crane Wars: “You make your towers, as quickly as you can, topping them off with a top part to finish them. Alternatively, lob buildings or trucks at the scabs at work across the street. Or both.”