Slog Scans
Scans of Dave McKean’s artwork for The Slog (written by David Almond) look a little slicker than his work for Neil Gaiman on Punch and Judy and The Sandman.
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Scans of Dave McKean’s artwork for The Slog (written by David Almond) look a little slicker than his work for Neil Gaiman on Punch and Judy and The Sandman.
The Brain-Twitter Interface lets your brain send tweets.
A latter day Windsor McKay? Maybe not quite, but Peter Blegvad’s strip Leviathan certainly captures the eerie dream-logic quality of Little Nemo in Slumberland, while injecting it with a healthy dose of post-Achewood world that knows “poet is a four-letter word for not a mogul“.
Check out Crayon Physics. Then check out the rest of the games. Jim sez, “a third are pretty good, a third are real good, and a third are frickin brilliant.” (thanks, Jim!)
A letter from Girl-Wonder’s letter’s column I missed in 2007: “25 years after her transformation from girl to woman, the new creative team of J. Michael Straczyinski and Mike McKone have advanced the Invisible Woman yet again with a story moment that can be viewed as one of […]
Farbs resigns in 8-bit style to pursue developing indie games. Watch it here.