Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Rock Paper Shotgun writes about the Locked Door: “Locked door, I hate you. “I hate the way you are resistant to knives, to guns, to sledge-hammers, to rocket-propelled grenades, to weapons that rewrite the very laws of physics, to dark unearthly magic, to punches that can knock a […]
Two Ballard obituaries. One and an excerpt from two: “If there is a Ballardian presence in the cinema, it is Lee Harvey Oswald, sitting in a darkened Dallas movie theatre in 1963, watching the Audie Murphy picture War Is Hell, waiting for the cops to pick him up.”
National Geographic’s infinite photograph. Click and click and click.
Bigfoot and Nessie too hyped for you? Tired of el Chupacabra? Looking for some new footage to analyze, filter and go through frame by frame? Dogman footage (the Gable film) is digitally-enhanced and downloadable via Creative Commons. (Here’s two trailers for a special DVD set).
Video response to Surveillance 070990, “The Faithful Skeptic Show.” (It’s a follow up to this).
Who wants to play Velociraptor Offroad Safari or Minotaur China Shop or Blush, where players are neon attack squids? I do. Gamasutra interviews indie game designers, Flashbang. (via Make It Big)