Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Laura Hudson analyzes Dilbert cartoonist Scott Adams recent embrace of sockpuppetry as a tool: “[H]e lied to us on the internet in order to hide his obvious personal agenda and conflict of interest. But it’s OK, because all he was trying to do was hide his obvious personal […]
Not only does defense contractor called, “General Atomics” make a railgun, it fires what looks like Hugo Awards. Let us hope Harlan Ellison never acquires this technology.
At Robot 6, Brigid Alverson writes about “The Comics that Changed the World” and Tokyopop’s US manga line: “Ten years ago, “comics” meant superheroes, newspaper strips, and a handful of artsy graphic novels. Comics were a niche medium, and they were hard to find outside comics stores. Manga […]
British actress Elisabeth Sladen has died. She is probably most famous for her portrayal of Sarah Jane Smith, companion to the 3rd and 4th Doctors in Doctor Who and star of her own series K-9 and Company and The Sarah Jane Adventures. Here is her first appearance as […]
Dragonriders of Pern as a live action film? Looks like it might happen.
“The true beauty of Sakai’s work in Usagi Yojimbo isn’t just his cartooning (which is very good) or his writing (which is refreshingly to the point). It’s how Sakai manages to take things we’re used to, things that are considered rote or mundane, and make them compelling simply […]
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The Cultural Gutter 