Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Cartoonist Tim Jackson has gathered together a meticulously amazing collection of cartoons and comics strips by cartoonists of color. He includes an extensive index of cartoonist, cartoon and character names as well as galleries of gag cartoons, strips, editorial cartoons and sports cartoons from the 1920s through the […]
KB discusses Warren’s Blazing Combat while thinking about how little collected comics made by and about African-Americans are. “Set in Vietnam, I find this story not so much anti-war, although it certainly doesn’t shirk from depicting the harsh realities of war, but more of an anti-racist comic[.]” There […]
The inimitable Tura Satana has died at 72. She was a famed burlesque performer and acted in Billy Wilder’s Irma La Douce, but she’s probably best known for her spine-breaking performance as Varla in Russ Meyer’s Faster, Pussycat! Kill! Kill! Cinebeats has an excellent retrospective of her life […]
The Vault of Horror has a behind the scenes look at the development of the script for World Wrestling Entertainments’ original film, See No Evil.
How did Carol Borden become a fan of DC superheroes? Did she uncover the truth that criminals were a cowardly and superstitious lot? Was she packed into an interstellar cradle and shot into space with the blind hope that she would be found and raised to value truth, […]
Janell Hobson connects Saturday Night Live‘s, “Bride of Blackenstein” to Sara Baartman, the Hottentot Venus, via Mary Shelley’s Frankenstein.
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The Cultural Gutter 