“Black Horror is far from a new phenomenon, as demonstrated by last year’s documentary Horror Noire, based on the book by Robin R. Means Coleman, which unpacked the deeper meaning behind a century of African American history in frightening screen stories—from the silent era to 1968’s Night of […]
At Gayly Dreadful, Terry Mesnard reviews Amy Seimetz’s She Dies Tomorrow (2020). “She Dies Tomorrow is the sophomore feature from Amy Seimetz and it is a doozy of experimental cinema and existential dread. It defies typical narrative progression, instead flitting from character to character as whatever ennui this […]
The Society of Children’s Book Writers and Illustrators hosted an online event with Judy Blume. You can follow along with what she has to say on Twitter.
“To watch Beyoncé Giselle Knowles-Carter is to take a master class in image construction. In 2011, she severed professional ties with her father and former manager, Mathew Knowles, who’d had a strong hand in controlling her image. In the nine years since, she has evolved dramatically as a […]
On the fifth anniversary of We Bare Bears, Daniel Chong talks about making the show.
At RogerEbert.com, Matt Zoller Seitz writes on Christopher Reeves and Richard Donner’s Superman (1978). “The movie feels like a case of an entire production rising to the level of its lead actor, who happens to be playing the biggest square in the galaxy, a guy who would rather […]
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The Cultural Gutter 