The South China Morning Post has an interview with actor and musician Anthony Wong Chau-Sang: “But I can see the influence from mainland China increasingly. It makes me feel like I should shut up, do my job, grab some money and then go. Every generation has a job […]
Refinery 29 has a profile on Moonlight, Lemonade, Creed and Fruitvale Station designer Hannah Beachler. ‘”Everything you’re seeing on screen is the production designer, outside of the camera work and lighting,” she explains. “I’m basically the architect of a movie’s visuals.”‘ (Thanks, Sarah)
At the Criterion’s Current, Barry Jenkins talks about Wong Kar-Wai. “For the inaugural video in our new series Under the Influence, Barry Jenkins—whose sophomore feature, Moonlight, won big at last night’s Gotham Awards and just garnered best director and best supporting actress from the National Board of Review—stopped […]
At Americana, Katrina Powers writes about the paintings in Alfred Hitchcock’s Psycho (1960). “In the original 1960 trailer for Psycho, Alfred Hitchcock notifies us that the parlor of the Bates Motel was Norman Bates’ (Anthony Perkins) “favorite spot,” then suggests that we visit the parlor with him. Once […]
Hong Kong University is offering a free online course in Hong Kong cinema and you can still sign up for it.
At the Guardian, Sarah Churchwell writes about fiction and fascism. “These parallels between fictional pasts and our political present may seem eerie: they aren’t. There is nothing surprising about people trying to replicate the oldest models of power.”
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 