Vulture interviews Supermodel of the World, RuPaul. “[Drag] actually didn’t save my life, it gave me a life. I don’t think there is a life in the mundane 9-to-5 hypocrisy. That’s not living. That’s just part of the Matrix. And drag is punk rock, because it is not […]
Women Write About Comics start their series on colorists and their importance in comics with an essay on color and coloring by Marissa Louise. “I love black and white drawing. When it is well done it has exceptional life, keen reduction, and strong emotive qualities. But line isn’t […]
Susan Braudy writes a very in-depth piece on her experience of writing on the Women’s Liberation movement and Feminism for Playboy in 1969. “Almost as soon as I arrived in Manhattan to seek my fortune, I backed into a knuckle-bruising battle with Playboy’s Hugh Hefner. My new city-slick […]
At Beth Loves Bollywood, the Gutter’s own Beth reviews Manmohan Desai’s Kismat. “I’m on a mission to watch all of Manmohan Desai’s movies before the end of this academic semester, and unless one of the remainders* turns out to be absolute duds, Kismat is taking the prize for the worst […]
At Tor.com, Chris Lough writes about the problems with J.K. Rowling’s “The History of Magic of North America.” “Fiction is a story we create, and history is a story we find, but the opposite is also true, and this makes the structure of both very similar. In this […]
At Fantastic Stories of the Imagination, author Nisi Shawl offers “A Crash Course in the History of Black Science Fiction.” In 1909 Harvard’s president, Charles W. Eliot, issued a 51-volume anthology he claimed could provide its owners with a complete liberal arts education. In the same vein, I’ve pulled […]
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The Cultural Gutter 