Let’s say you’ve just invented a time machine. Your hand is on the dial, ready to master the energies of the fourth dimension. Depending on when you’re living in the history of the universe, this might be science fiction or just the latest invention. Spaceships, atomic bombs, the […]
The Picture of Dorian Gray is perhaps the worst epic fantasy I have ever read. Where are the dragons? The violent decapitations with a magical sword? All the author seems to care about is witty rich people making smart remarks to each other.
I have a theory that television shows get a lot of practice in the cliff-hanger, in hooking the viewer to come back next week, but almost zero experience in creating satisfying endings. Structurally, commercially, the need for such a thing just doesn’t compute. A few genre shows in […]
I recently burned through all seven books in Christopher Rowley’s Bazil Broketail series. What I liked best? The broad strokes, literally (here is our hero with a sword, there goes the head of the bad guy, flying through the air) as well as metaphorically.
Time to check in with a few small-press books. This is where where a lot of people get their start, and it’s also where the books can live quite happily apart from the concerns of multinational conglomerates.
Your first book is a classic that essentially creates the modern era, or at least that’s what people are saying. What do you do for an encore? In the case of William Gibson, you can just follow the same interests in a different form.
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The Cultural Gutter 