As part of Biff Bam Pop‘s annual 31 Days of Horror, the Gutter’s own Carol Borden writes about Cindy Sherman’s first and only film, the underappreciated genre-mixing, Office Killer (1997). “Though she’s not often thought of as a horror actor, let alone a scream queen, Carol Kane has […]
At Biff Bam Pop, the Gutter’s own Angela Englert writes a lovely piece on Saw X, the Saw franchise and her own struggle to stay alive. “I often thought of John Kramer (Tobin Bell)–Jigsaw if you’re nasty–and the bitter truth at the heart of his philosophy: life is […]
Please enjoy this extra-large article in celebration of the spooky season here at the Gutter. It was originally written for a magazine that took longer entries, but things happen. Hopefully it’s like getting a full-sized candy bar from the house with the dad that uses a radio controlled […]
At Asian Movie Pulse, friend of the Gutter Earl Jackson writes about Cheng Wei-hao’s Marry My Dead Body (2023)! “For years lesbian feminist film scholarship entailed archeological detective work, most notably excavating the subtexts of Rebecca (Alfred Hitchcock 1940) and The Haunting (Robert Wise 1963). In peculiar reversal, […]
Udo Kier and Roger Corman share their Criterion picks! Kier shares adorable stories, too. You can watch them here and here.
At Biff Bam Pop, the Gutter’s own Sachin Hingoo writes about Jason Yu’s new movie, Sleep (South Korea, 2023). “The function of sleep, one of the things that we all have in common, has been mined for horror since horror has existed. Whether it’s school janitors invading our […]
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The Cultural Gutter 