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The Cultural Gutter

Thoughtful Writing About Disreputable Art

“I Would Save and I Would Be Saved”: Folk Horror, Masculinity, and a Sensible Heroine in Eye Of The Devil

By Carol on April 9, 2026 • ( Leave a comment )

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Getting Away With It: Diao Yinan’s Neo-Noir

By Carol on November 23, 2023 • ( 2 Comments )

The winds of November are blowing, my friends, chilling our souls in the Musuracan shadows and grayscale skies. Making us hanker for some noir, but grieving over our options on long autumnal nights. Maybe you’ve seen Double Indemnity (1944), The Big Sleep (1946), Out of the Past (1947), […]

“Wrestling Has Invaded Every Game That You Love”

By Guttersnipe on November 21, 2023 • ( Leave a comment )

Polygon‘s Patrick Gill reveals the truth in a video essay. “Everything is wrestling. Over the last 25 years, video games have borrowed wrestling moves and archetypes with reckless abandon, regardless of whether or not the game has anything to do with wrestling. Here’s the story of how the […]

“John Woo returns to Hollywood”

By Guttersnipe on November 20, 2023 • ( Leave a comment )

At The New Yorker, Simon Abrams interviews filmmaker John Woo. “Woo talked about taking a break from Hollywood, his quest to make personal genre movies, and his enduring faith in friendship, onscreen and off.” Read more here.

Marya Gates on the Neo-Noir Podcast!

By Guttersnipe on November 18, 2023 • ( Leave a comment )

Marya E. Gates joins the inaugural episode of the Neo-Noir Podcast to discuss “classic noir, neo-noir, and two films that work as examples of both.” Listen here.

The Gutter’s own Carol watches The Strangler (1970)!

By Guttersnipe on November 17, 2023 • ( Leave a comment )

The Gutter’s own Carol has some thoughts on Paul Vecchiali’s The Strangler (France, 1970). “The Strangler / L’Étrangleur (France, 1970) is a peculiar film, perhaps a Nouvelle Vague policier, but also not. It’s described as a “French giallo” in promotional materials, and I suppose that is as good […]

BBC Radio 4 Wicker Man radio play starring Brian Blessed!

By Guttersnipe on November 16, 2023 • ( Leave a comment )

AAAAAAAAAAAAAAAA!!!!!!!! THE WICKER MAN!!!!! BRIAN BLESSED!!!!!! DECEMBER 2nd!!!!! AAAAAAAAAAAAA!!!!! (There is a whole day of companion programs on folk horror and folk music also on December 2nd). LISTEN HERE.

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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