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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Blood Pact: Exploring SOV Director Glenn Andreiev’s Infatuation with the Vampire Mythos

By Michelle on February 26, 2026 • ( 1 Comment )

Marya Gates on the Neo-Noir Podcast!

By Guttersnipe on November 18, 2023 • ( Leave a comment )

Marya E. Gates joins the inaugural episode of the Neo-Noir Podcast to discuss “classic noir, neo-noir, and two films that work as examples of both.” Listen here.

The Gutter’s own Carol watches The Strangler (1970)!

By Guttersnipe on November 17, 2023 • ( Leave a comment )

The Gutter’s own Carol has some thoughts on Paul Vecchiali’s The Strangler (France, 1970). “The Strangler / L’Étrangleur (France, 1970) is a peculiar film, perhaps a Nouvelle Vague policier, but also not. It’s described as a “French giallo” in promotional materials, and I suppose that is as good […]

BBC Radio 4 Wicker Man radio play starring Brian Blessed!

By Guttersnipe on November 16, 2023 • ( Leave a comment )

AAAAAAAAAAAAAAAA!!!!!!!! THE WICKER MAN!!!!! BRIAN BLESSED!!!!!! DECEMBER 2nd!!!!! AAAAAAAAAAAAA!!!!! (There is a whole day of companion programs on folk horror and folk music also on December 2nd). LISTEN HERE.

Art, Artifice, and Artificial Intelligence in Amanda Kramer’s ‘So Unreal’

By Sachin Hingoo (he|him|his) on November 16, 2023 • ( Leave a comment )

“The first two uses of any technology are sex and war.” Unknown I’m not sure where to properly attribute that quote, but when it’s spoken in the ethereal narration of rock legend and Blondie frontwoman Debbie Harry in Amanda Kramer’s new documentary, So Unreal, it has a certain […]

The Projection Booth Podcast: Josie & The Pussycats

By Guttersnipe on November 15, 2023 • ( Leave a comment )

Our friends at the Projection Booth Podcast watch Josie & The Pussycats (2001) with Chris Cummins and friend of the Gutter Emily Intrava! “On this episode Emily Intravia and Chris Cummins join Mike to discuss the 2001 film from writer / directors Harry Elfont and Deborah Kaplan, Josie […]

Spider-Gwen & the Trans Subtext of Spider-Man: Across the Spider-Verse“

By Guttersnipe on November 14, 2023 • ( Leave a comment )

At Comic Book Herald, Charlotte Fiero writes about Gwen Stacy, Miles Morales, intersectionality, and the trans subtext in Spider-Man: Across the Spider-Verse (2023). “Yes, I am disappointed that the movie doesn’t go as far as outright saying that Gwen is trans; and I refuse to accept the narrative […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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