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The Cultural Gutter

Thoughtful Writing About Disreputable Art

“I Would Save and I Would Be Saved”: Folk Horror, Masculinity, and a Sensible Heroine in Eye Of The Devil

By Carol on April 9, 2026 • ( 3 Comments )

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Podcast on Fire: Shinjuku Incident (2009)

By Guttersnipe on February 14, 2022 • ( Leave a comment )

Our friends at Podcast on Fire watch Derek Yee’s Shinjuku Incident! Listen here.

Red Dead Redemption Online’s Rift Trails Posse

By Guttersnipe on February 11, 2022 • ( Leave a comment )

The Rift Trails Posse organizes online meet-ups on Red Dead Online to ride horses on beautiful trails. “Our entire procession passes the hour of real time by swapping gameplay tips, teasing disoriented NPCs as they try to navigate through our crowd, and with a fair bit of giggling […]

Kota Ibushi: Wrestling Savant and Giant Kaiju-Fighting Hero

By Sachin Hingoo (he|him|his) on February 10, 2022 • ( 4 Comments )

I don’t think I have to tell you that pro wrestlers are a generally mercurial bunch. You pretty much have to be in order to exist between the real and unreal worlds where pro wrestling resides, that blurred-line known as Kayfabe*. Of these profoundly odd men and women, […]

The Projection Booth on Black Moon (1975)

By Guttersnipe on February 9, 2022 • ( Leave a comment )

Our friends at the Projection Booth watch Black Moon (1975). “French month continues with a look at Louis Malle’s Black Moon (1975). The film tells the story of Lily (Cathryn Harrison), a girl on the brink of womanhood who’s on the run from a war between men and […]

“Artist uses AI to Perfectly Fake 1970s Science Fiction Pulp Covers”

By Guttersnipe on February 8, 2022 • ( Leave a comment )

Check out a gallery of Lewis Hackett and his AI’s sweet fake 1970s SF pulp covers here. “Even as these algorithms get a lot more sophisticated than averaged pixels or a Markov chain, they are still just algorithms, lacking in agency, albeit with enormous data sets as source […]

“A Henry Darger Dispute: Who Inherits the Rights to a Loner’s Genius?”

By Guttersnipe on February 7, 2022 • ( Leave a comment )

Robin Pogrebin writes here about the conflict over rights to Henry Darger’s work. “When the janitor-turned-artist Henry Darger died in Chicago at 81 in 1973, leaving a single room crammed with his colorful illustrations, a 15,000-page book and no immediate surviving relatives, Darger’s landlord began showing, sharing and […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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