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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Blood Pact: Exploring SOV Director Glenn Andreiev’s Infatuation with the Vampire Mythos

By Michelle on February 26, 2026 • ( 1 Comment )

“In Shang-Chi, a Muni Line Made Possible by Chinatown Community Advocacy”

By Guttersnipe on November 22, 2021 • ( Leave a comment )

“The 1-California carries more than just passengers gawking at superheroes in Marvel blockbusters, though. It carries the history and legacy of San Francisco’s Chinese community, its advocacy, and its perseverance. That is, if you know the history.” More at KQED.

Bob the Drag Queen’s Wig

By Guttersnipe on November 21, 2021 • ( 1 Comment )

Behold the glory of Bob the Drag Queen’s wig in this performance from We’re Here in Selma, Alabama.

Something Fishy This Way Comes

By Sachin Hingoo (he|him|his) on November 18, 2021 • ( 1 Comment )

Ah, the freedom of the open water. We chase it in real life with boats, canoes, and all manner of watercraft, but nothing beats the feeling of the rushing tide over your scales…I mean skin. Video games have been trying to replicate the freedom of the ocean for […]

“Pop Psychology has killed the Villain”

By Guttersnipe on November 17, 2021 • ( Leave a comment )

At UnHerd, Dorian Lynskey writes about villains, pop psychology, backstory and corporate storytelling. “What Lumet and Chayefsky were really getting at with their rubber-ducky quip was the pretence that explaining everything is akin to psychological veracity. We are all shaped by our experiences, good and bad, but rarely […]

A Bus Operator rates the Bus Fight Scene in Shang-Chi

By Guttersnipe on November 16, 2021 • ( Leave a comment )

On Twitter, a bus operator rates the bus fight scene in Shang-Chi (2021) in terms of transit accuracy and offers some transit insights along the way! “Finally watching Shang-Chi, here as a bus operator to rate the SFT transit factors of The Bus Scene.”

The Feminine Critique: “Laid To Rest Dies Tonight”

By Guttersnipe on November 15, 2021 • ( Leave a comment )

Our friends at the Feminine Critique podcast discuss Laid To Rest (2009) and Murder, She Wrote, “Halloween Kills!” “Break out of that deadbox: you’ve got things to do! It’s time for a very special episode where Christine and Emily are joined by delightful Texans Angela & James to […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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