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The Cultural Gutter

Thoughtful Writing About Disreputable Art

10 Things I liked in 2025

By Carol on December 18, 2025 • ( 1 Comment )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Gutterthon 2025: Grand Slam!

By Guttersnipe on December 8, 2025 • ( Leave a comment )

Disavowing the Story: On Kimi wa Koibito (You Are My Lover): Part Two

By Guttersnipe on December 4, 2025 • ( 1 Comment )

Hat on a Hat on a Dinosaur: Jurassic Overkill and Instant Aliens

By Critterlab on November 27, 2025 • ( 5 Comments )

From the Archives: (Some of) The Women Who Wrote Hitchcock

By Carol on November 20, 2025 • ( Leave a comment )

“8 Great Books about Women who Disappear”

By Guttersnipe on September 20, 2020 • ( Leave a comment )

At Crime Reads, Wendy Walker recommends 8 thrillers in which women disappear. “Most missing person cases are the result of the person having walked away voluntarily. Some return on their own. Some choose to stay gone. And then there are those—the outliers—whose disappearance involves criminal activity. Below is […]

From the Archives: Cahiers du Cannon: Runaway Train

By Guttersnipe on September 17, 2020 • ( Leave a comment )

Angela Englert has been selected for a top secret mission, so secret we shouldn’t even mention it. This week, enjoy Guest Star Jessica Ritchey’s piece on Runaway Train (1985) from her series on Cannon Films. Previously on Cahiers du Cannon, Guest Star Jessica Ritchey wrote about Castaway (1986) […]

“Dame Diana Rigg taught me what sophistication is in The Great Muppet Caper”

By Guttersnipe on September 16, 2020 • ( Leave a comment )

“Dame Diana Rigg‘s career was all about showing women off in all their fabulous glory. From her iconic turn as super spy Emma Peel in the original Avengers to her acid-tongued (and Joffrey-poisoning) Olenna Tyrell on Game of Thrones, every one of Rigg’s performances provided an example of […]

“What I learned from Emma Peel”

By Guttersnipe on September 11, 2020 • ( Leave a comment )

Feather Dusters at 400 Yards shares an in memoriam list of things they learned from The Avengers‘ Emma Peel.

From the Archives: Tilda Swinton: Secret Scottish Samurai

By Critterlab on September 10, 2020 • ( Leave a comment )

Screen Editor Alex MacFadyen has made a journey into the wilderness for purposes beyond our ken! He will return perhaps wise and definitely with another piece. ~~~ One of the random questions on OkCupid dating profiles is whose closet you would like to raid, and one of the […]

“Gabrielle, Xena and their WLW Legacy 25 Years Later”

By Guttersnipe on September 6, 2020 • ( Leave a comment )

Friend of the Gutter Sara Century writes about Gabrielle and Xena on Xena’s 25th anniversary! “The story of Xena is remembered as many different things. A heroic saga, a tale of redemption, a campy romp. It’s a series that truly had it all, and that’s why it remains […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Angela Englert, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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