There are many challenges to the suspension of one’s disbelief in the disreputable arts: wonky digital art; rubber suits; foolish decisions; uncertain physics; unlikely biology. But it has seemed improbable that Timothy Dalton’s hotness should ever be an obstacle to the suspension of disbelief. Still, it has happened. […]
South China Morning Post looks at the life and work of Tyrus Wong, the uncredited, lead illustrator on Bambi (1942) and so much more. “Wong did not receive credit for his work on the 1942 Disney film even thoughhe was the lead production illustrator. He remained unrecognised for […]
“On the afternoon of May 28, 1903, Leoti Blaker, a young Kansan touring New York City, boarded a Fifth Avenue stagecoach at 23rd Street and settled in for the ride. The coach was crowded, and when it jostled she noticed that the man next to her settled himself […]
I spend a lot of time, perhaps too much time, waxing poetic about the golden cliches of yesteryear that seem to have disappeared from everywhere except Univision. Grown men dressed in those little sailor boy outfits holding oversized lollipops. Quicksand gags. So many lost greats. One of my […]
SyFy Wire Fangrrls–including friend of the Gutter Sara Century–share their favorite comics of 2019! “There are many reasons that comics will always be a defining part of our nerdverse, but as we look back on the past year, we’re recognizing some of the creators — writers, artists, letterers, […]
At the New Yorker, Christine Smallwood looks at Dorothy B. Hughes’ “forgotten Noir,” The Expendable Man (1963). “The creation of difference itself was her subject. Her books were widely praised for their atmospheres of fear and suspense, and criticized when they reached, as the New York Times said […]
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The Cultural Gutter 