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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Sachin’s Best of 2025 (and maybe 2026!)

By Sachin Hingoo (he|him|his) on January 8, 2026 • ( 1 Comment )

From The Archives: In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on January 1, 2026 • ( Leave a comment )

An Unusual Merry Christmas from Bombay

By Beth Watkins on December 25, 2025 • ( Leave a comment )

10 Things I liked in 2025

By Carol on December 18, 2025 • ( 2 Comments )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Gutterthon 2025: Grand Slam!

By Guttersnipe on December 8, 2025 • ( Leave a comment )

Happy Pride from Filmi Ladies Podcast!

By Guttersnipe on June 25, 2025 • ( Leave a comment )

At Filmi Ladies, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins celebrate Pride in filmi style! “To close out Pride month, we look at 3 Indian films that feature LGBTQIA+ characters: Fire (1996), Nil Nirjane (2003), and Arekti Premer Golpo (2010).” Listen / watch […]

“Notes on The Howling’s werewolf Jonestown”

By Guttersnipe on June 24, 2025 • ( Leave a comment )

Friend of the Gutter Sara Century has some thoughts on The Howling (1981). “1981 saw the release of three prominent werewolf movies: An American Werewolf in London, Wolfen, and of course, The Howling. Each of them explored werewolf mythos in a contemporary context with different results. All would […]

Autostraddle’s Top 100 Lesbian Films of All Time!

By Guttersnipe on June 23, 2025 • ( Leave a comment )

Sure, this list is about a year old, but there’s still 100 fine Lesbian and Bisexual films from all genres for you peruse. See it here.

“Stripper Energy: Fighting Back from the Fringes!”

By Guttersnipe on June 22, 2025 • ( Leave a comment )

Friend of the Gutter Beth Accomando won an Emmy for her KPBS podcast, “Stripper Energy: Fighting Back From the Fringes!” “Do you know what stripper energy is? Let three women who worked as dancers at Les Girls Theater in San Diego expose you to the naked truth about […]

“Carmen Maria Machado Considers Jennifer’s Body”

By Guttersnipe on June 21, 2025 • ( Leave a comment )

In an Autostraddle excerpt from the excellent collection of essays, It Came From The Closet, Carmen Maria Machado considers Jennifer’s Body, bisexuality and the fluidity of identity and relationships through time. “It’s happened to me several times now: someone who doesn’t know me very well asks me about […]

Dancing With the Devil: The Culturally Rich Tapestry of Sinners

By Guttersnipe on June 19, 2025 • ( 2 Comments )

This week’s Guest Star is Michelle Kisner. Keep up with her on Instagram at @robotcookie! ~~~ In the first act of Sinners (2025), a blues singer named Delta Slim (played by Delroy Lindo) recounts a story from his past while being driven through an expansive field of cotton, […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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