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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Blood Pact: Exploring SOV Director Glenn Andreiev’s Infatuation with the Vampire Mythos

By Michelle on February 26, 2026 • ( 1 Comment )

The Projection Booth watches Night Moves with the Gutter’s Own Carol

By Guttersnipe on July 29, 2015 • ( Leave a comment )

The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director […]

“Black Romance in Horror: Ganja & Hess (1973)”

By Guttersnipe on July 28, 2015 • ( Leave a comment )

At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested […]

Interview with Colin Geddes

By Guttersnipe on July 28, 2015 • ( Leave a comment )

Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

“Super City: New York and the History of Comic Books”

By Guttersnipe on July 27, 2015 • ( Leave a comment )

The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic […]

One Comic: “When Red Sonja met her match(ish)”

By Guttersnipe on July 27, 2015 • ( Leave a comment )

Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

Self-Portraits of Eleanor “Bunny” Yeager

By Guttersnipe on July 26, 2015 • ( Leave a comment )

Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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