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The Cultural Gutter

Thoughtful Writing About Disreputable Art

10 Things I liked in 2025

By Carol on December 18, 2025 • ( Leave a comment )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Gutterthon 2025: Grand Slam!

By Guttersnipe on December 8, 2025 • ( Leave a comment )

Disavowing the Story: On Kimi wa Koibito (You Are My Lover): Part Two

By Guttersnipe on December 4, 2025 • ( 1 Comment )

Hat on a Hat on a Dinosaur: Jurassic Overkill and Instant Aliens

By Critterlab on November 27, 2025 • ( 5 Comments )

From the Archives: (Some of) The Women Who Wrote Hitchcock

By Carol on November 20, 2025 • ( Leave a comment )

“Booger (USA, 2023): Coughing up a Hairball of Grief”

By Guttersnipe on September 13, 2024 • ( Leave a comment )

At Monstrous Industry, the Gutter’s own Carol Borden has some thoughts about Mary Dauterman’s Booger: “Grief has long been a good subject for horror. And it’s been a prominent vein in horror in the last decade or so. Some of the best films where grief is central are […]

BBC Archive: “Nineteen Eighty-Four: the Controversial 1954 BBC adaptation”

By Guttersnipe on September 13, 2024 • ( Leave a comment )

The BBC Archive has video of a 1965 discussion of 1984 (1954). “Late Night Line-Up looks back on the 1954 BBC television adaptation of George Orwell’s 1984, starring Peter Cushing, Yvonne Mitchell, Donald Pleasance and André Morell. The television play was performed live on the evening of Sunday […]

The Beautiful Apocalypse of Urotsukidōji

By Guttersnipe on September 12, 2024 • ( Leave a comment )

This week’s Guest Star is Michelle Kisner. Keep up with her on Instagram at @robotcookie! ~~~ “Mankind, you are an ignorant race. How foolish it is to believe your kind rules the Earth. Know now that you are not alone; there are unseen worlds that exist parallel to […]

Filmi Ladies: The Kapoors: Ranbir (FIN)

By Guttersnipe on September 11, 2024 • ( Leave a comment )

At Filmi Ladies, Pitu Sultan and the Gutter’s own Beth Watkins conclude their look at the Kapoor film dynasty with a discussion of Ranbir! “We conclude our Kapoor series with the heir of the Kapoor dynasty–Ranbir. We discuss his versatility, his chameleon like ability to get into his […]

TIFF 2024: Pavlo Ostrikov in Conversation with Robert Aaron Mitchell

By Guttersnipe on September 10, 2024 • ( Leave a comment )

Friend of the Gutter and Soldier of Cinema Robert Mitchell talks with Ukrainian filmmaker Pavlo Ostrikov. about his film U Are The Universe (Ukraine, 2023). Watch here.

Ick! At TIFF Midnight Madness!

By Guttersnipe on September 9, 2024 • ( Leave a comment )

Friend of the Gutter and Soldier of Cinema Robert Mitchell interviews the director and cast of the horror comedy, Ick (USA, 2024)! He talks to director Joseph Kahn here. And Brandon Routh here. He talks to Mena Suvari here. He talks to Harrison Cone here. He talks to […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Angela Englert, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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