“So Why Can’t I See You Kicking His Ass?”
John Kreng finishes the fallacies of why filmmakers make action so hard to see with the punches, kicks and elbow smashes of his thoughts. And you can see the whole thing here. (via ShelfLifeCC)
John Kreng finishes the fallacies of why filmmakers make action so hard to see with the punches, kicks and elbow smashes of his thoughts. And you can see the whole thing here. (via ShelfLifeCC)
Caldwell Tanner’s vision of superheroes as hipsters. (via Lost At E Minor)
R-Type has a funny way of showing its affection. It doesn’t give you black eyes, but it still makes them red and twitchy. You don’t eat as much. You abuse caffeine and other stimulants, as if that makes much of a difference. Its benchmark of expectation keeps rising. […]
Blackweb offers a sample of webcomics by African-American creators. Check out: A Pug Named Fender, JOE!, Addanac City, Company Man. (via Jay Potts)
Seems like we’re not the only ones who have noticed a resurgence of melodrama. Chris Vognar writes about melodrama, Black Swan and The Fighter.
The New York Times has a piece on dancers’ reaction to Black Swan. Meanwhile, Jonathan Romney interviews Darren Aronofsky and writes: “There’s much steamy weirdness that you don’t normally associate with ballet fictions: hallucinations, horror, lesbian clinches with doppelgängers.” Which is exactly what I associate with them. I’d […]