At Uproxx, Mike Ryan writes about contemporary movies and their multiple or stretched out endings. “I reached out to a few prominent screenwriters/filmmakers to ask them if I was off base. These are people you have most likely heard of who have made movies you have most likely […]
I heard industrial pa-chunking before I even entered the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed by […]
At Lioness, friend of the Gutter Kerry Gately Fristoe suggests Classic Hollywood films featuring great female characters!
“If you’re the perfect detective, then the perfect criminal must be out there.” ~ Mrs. Midorikawa The world would be a better place if there were more artful crimes, renowned detective Akechi Kogoro tells us in the opening of The Black Lizard (1962). There are too many heinous […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
At The Paris Review, Anne Diebel considers Dashiell Hammett’s “strange career.” “In a 1929 interview with the Brooklyn Daily Eagle, Dashiell Hammett described his first attempts at ‘breadwinning.’ After dropping out of Baltimore Polytechnic Institute at 14, he worked as a messenger boy for the Baltimore and Ohio […]
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The Cultural Gutter 