“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights. There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)
A collection of Orson Welles’ appearances on the old time radio show, Suspense, including “The Most Dangerous Game” and “The Hitchhiker.”
“With such a rich tapestry on and off the Oz page, it’s depressing that 2013 finds our return to Oz burdened with a reluctant hero (the dominant kind in the 21st century), and not one of Baum’s plucky young heroines. In a bitter reversal of Baum’s stories, ‘Great […]
“This, then, is the story of Maxwell Knight—the man called M—and a cuckoo called Goo. Knight was a tall, patrician British intelligence officer in charge of MI5 departments dealing with counter-subversion on home ground. And yes, as ‘M’ he was the inspiration for James Bond’s controller.” Helen MacDonald […]
When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” —The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that […]
Production Designer Ray Cusick has died. Cusick is most famous for creating Doctor Who’s nemeses, The Daleks, but he also worked on Agatha Christie’s Miss Marple (1985 & 1987), Cold Comfort Farm (1968) and The Tenant of Wildfell Hall (1975). The BBC reports on his death and the […]
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The Cultural Gutter 