Friend of the Gutter Kate Laity gives a lecture on Leonora Carrington at the 2025 Occulture Conference! “How can ritual and hybridity become tools for transformation and resistance? In this lecture from Occulture Conference 2025, K. A. Laity explores Leonora Carrington’s play Judith as a dramatic ritual of […]
Guest Star and film scholar Earl Jackson continues his look at Kimi wa Koibito / You Are My Lover, a dizzyingly metafictional and genre-bending Nikkatsu film featuring an injured Japanese teen hearthrob’s return to the screen in a movie that references his injury and the incident that caused […]
At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins consider the career of filmi superstar, Helen! “This episode is NOT a countdown of our favorite Helen songs–where would you even start?!? Instead, we focus on Helen as an all-around actor and […]
Hitchcock gets a lot of credit for his mystery and suspense films, rightfully so, but sometimes that credit goes as far as erasing the writers who came up with the mysteries, twists, dark jokes, thrills and stories Hitchcock built his films on. Hitchcock himself gave credit where it was due. He put writers’ names on screen for everyone to see. But if film history has taught us anything, it’s that credits, dedications and acknowledgments are not enough to keep women both trans and cis, genderqueer and nonbinary people from disappearing from memory and history.
This week Guest Star and film scholar Earl Jackson writes about an injured Japanese teen hearthrob’s return to the screen in a movie that references his injury and the incident that caused it. ~~~ Rushing headlong into the kaleidoscopic tumult of world film history, kibbitzing at a bazaar […]
On American Hysteria Podcast. Chelsey Weber-Smith considers the history of “Bloody Mary.” “Bloody Mary…Bloody Mary…Bloody Mary…For our Halloween special, we are going to trace the history of the slumber party ritual known as Bloody Mary in which a young summoner stands in the dark in front of a […]
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The Cultural Gutter 