The Art of Horror Movie Music
Stephen Thrower writes a retrospective soundtracks and composers for horror movies spanning from Psycho to the present, and ends with a call for more innovation and “a neat draft of madness.” (via @AwesomeBMovies_)
Stephen Thrower writes a retrospective soundtracks and composers for horror movies spanning from Psycho to the present, and ends with a call for more innovation and “a neat draft of madness.” (via @AwesomeBMovies_)
The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday. “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak […]
In her series of essays looking over the entire run of Star Trek: The Next Generation, Abigail Nussbaum gets to a more pround change from the original Star Trek than tunic colors. By the second season, the Starfleet has decided to boldly stay within Federation borders. “[I]t’s clear […]
Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto.
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
In a guest post at DCWomenKickingAss, former DC Comics’ editor and writer Scott Peterson discusses the secret origin of Batgirl!