Superman’s greatest power is not his strength or heat vision, but his restraint and his theatricality both in restraining that power while pretending to fight as hard as he can and in passing as Clark Kent.
The South China Morning Post has a look at the history of Hong Kong cinema. “City Weekend explores the long and colourful history of cinema in Hong Kong – its birth, its growth, and whether it is really, as suggested by some, a dying industry.”
Some years ago, a trio of colorful, contemplative, and sometimes a little bit absurd science fiction films from East German studio DEFA found their way onto home video in the United States. Of them, The Silent Star was the most beloved thanks to its combination of serious speculation […]
Jonathan Katz writes about the power of activist drag: “[F]rom our current vantage point, the advent of sloganeering clothing seems vastly less of a defining break with the past than in fact it was. Queer fashion once spoke sotto voce to insiders, at once defining membership in a […]
Friend of the Gutter Jessica Ritchey writes an ode to Mothra at Balder & Dash at RogerEbert.com. “The giant moth’s introduction to audiences came in 1961’s “Mothra,” and for all it owed to the conventions of the Kaiju formula it offered plenty that was unique. Instead of a […]
Join Cinema Shame as Raquel watches Star Wars for the first time! “Raquel Stecher is joined by her long-suffering husband Carlos to discuss how she finally viewed Star Wars on her own terms.”