That darkness is a part of me. Living in a world without streetlights allows you to understand the true meaning of utter darkness. White indicates a lack of matter, while black shows an abundance. It makes you think that something is lurking just beyond, hidden in the blackness. […]
At the Guardian, Sarah Churchwell writes about fiction and fascism. “These parallels between fictional pasts and our political present may seem eerie: they aren’t. There is nothing surprising about people trying to replicate the oldest models of power.”
At the Atlantic, Sophie Gilbert has a piece on Dr. Seuss’ anti-Fascist cartoons and their complicated legacy.
Our friends at the Projection Booth have a special report this week on the documentary, Future Shock! The Story of 2000AD.
Like George Costanza, I’ve often wanted to pretend to be an architect, and an offshoot of this dream is to do some kind of major study of the architecture of evil spaces in Hindi movies. The most distinctive visual marker—physical manifestation, even—of evil in Bollywood is the villain […]
Friend of the Gutter Colin Smith ponders the eternal question, “Which is better: Marvel or DC?” “It really did matter once, Marvel or DC? But that was decades ago, when the differences between the two publishers’ comics were obvious and consequential. When editor/writer Stan Lee and plotter/artist Jack […]
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The Cultural Gutter 