Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. ~~~ I don’t remember the first kung fu movie I ever watched. I am terrible […]
“To celebrate the 25th anniversary of [Mystery Science Theater 3000]’s national debut, Wired presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me…” […]
The fashions of The Cosby Show are reviewed at Huxtable Hotness.
Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.
At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making […]
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
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The Cultural Gutter 