Gutter Co-founding Editor Jim Munroe writes about why he is moving on from No Media Kings: “I’ve decided to stop using the No Media Kings imprint for my work. I started using it back in 2000, and the media context has shifted drastically: things are so much weirder […]
At the Public Medievalist, Paul Sturtevant continues series on race, racism and the middle ages with a look at the use of “race” in fantasy, including Dungeons & Dragons: “Tolkien crafted his fantasy world intricately. He, for example, took great pains to calculate distances and accommodate for the […]
For a while now I’ve been thinking about comic artists and writers of the 1930s, 1940s and 1950s. They were people directly affected by the wars and violence of their time. Some went on to create truly amazing and grisly horror and crime comics, in part reflecting on […]
At Multiglom, Anne Billson share excellent dressing-gown acting. “Dressing-gowns are more versatile than you might think. They can signify both soigné upper-class superiority and unkempt low-life sleaze – sometimes both at once. They can be effete, artistic or slatternly – sometimes all at once. In films, the writer or […]
“Why is it that I can easily remember the faces and voices of female cartoon villains, but if asked about female cartoon heroes, all I can remember is the clothes?” More on cartoon villainesses from Sarah Gailey at Tor.com. (Thanks, Adele!)
At Polygon, Julia Alexander writes about the “tortured history” of Mission Hill. “Set in an undefined metropolis akin to Boston, New York City or San Francisco, Mission Hill was a show about the struggles of compromise. Kevin hates living with his brother and is a social outcast who […]
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The Cultural Gutter 