Author and comics creator Marjorie Liu is interviewed at The Atlantic. “The comic-book writer discusses working for Marvel, the loneliness of novel-writing, and why her epic-fantasy series is mostly populated by women and characters of color.” (Thanks, Mark!)
Watch as beloved Toronto International Film Festival programmer Colin Geddes says good-bye and swears in new Midnight Madness programmer Peter Kuplowsky. Then keep up with the red carpet interviews, introductions and post-screening Q&A’s with Robert Mitchell and Sarah Dillard! They post new videos every day of the festival.
Previously on Cahiers du Cannon, Guest Star Jessica Ritchey wrote about Castaway (1986) and Street Smart (1987). One of the queasier aspects of life in the early 21st century is the internet’s ability to annoint a hero and tear them to pieces minutes later. Someone is found to […]
At Polygon, Julia Alexander writes about the “tortured history” of Mission Hill. “Set in an undefined metropolis akin to Boston, New York City or San Francisco, Mission Hill was a show about the struggles of compromise. Kevin hates living with his brother and is a social outcast who […]
Libba Bray writes about the process of turning her novel, Beauty Queens, which re-imagined Lord of the Flies among teen beauty contestants, into a film. “But try, if you will, to imagine me with lasers coming out of my eyes while my internal organs became as the fires […]
At Film School Rejects, Ciara Wardlow writes about “A Century of Female Fandom” and the stereotypes female fans have faced for the last hundred years or so. “[T]he biggest change from the 1910s criticisms of female fandom and the 2010s criticisms of female fandom is that while, in […]