Cinematographer Bruce Surtees has died. “He wasn’t afraid of having the character exist in either silhouette or total darkness and letting the dialogue do the work.” The Los Angeles Times has an excellent overview of his career with recollections from Clint Eastwood and Tom Stern.
Teleport City has a transcript of the Mysterious Order of the Skeleton Suit’s viewing and live tweeting of the notorious Sompote Sands film, Magic Lizard. The Cultural Gutter was a proud participant.
Ben Bertoli tries out a new management system in the classroom: ClassRealm. “The system would have [role-playing game] elements and focus on various achievements. I made the achievements tiered so students would be able to earn the lower ones quickly and get a sense of how it felt […]
Riffing off Melissa McCarthy’s Best Supporting Actress nomination at the Academy Awards and off the film Tootsie, film critic Bobby Rivers writes: “Hollywood, please give us more witty comedies like Tootsie and make the casts racially diverse. Give minority actors more opportunities. Then start giving more love to actors […]
At Fangoria, Sean Abley interviews Joe Gage, director of the Gay porn “Working Man Trilogy” (L.A. Tool and Die; Kansas City Trucking Co.; and El Paso Wrecking Co.) as well as a bunch of low-budget horror movies under the name, “Tim Kincaid.” (Thanks, Matt!)
At The New Yorker, Emily Nussbaum feels compelled to defend30 Rock character Liz Lemon in the face of recent “Liz Hate.” “[O]ne of the most radical things about 30 Rock [has always been] the way it has continually punctured Liz’s image of herself as a spunky brunette underdog.” […]