From the Archives: Triple-decker Metafictional Zombie Sandwich

every so often I come across something where the twist is so effective that watching it really is a totally different experience when you don’t know where the story goes and I’m glad it was a surprise. I felt that way about the first season of The Good Place, and it’s the same with Shin’ichirô Ueda’s zombie horror-comedy film, One Cut of the Dead. So I’m going to attempt to pull off the neat magic trick of telling you about it without, you know, telling you about it.