Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing […]
It turns out there’s a reason why movies are starting to feel the same: “Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. […]
Amazing trailers from Ghanian, Nigerian and Ugandan action movies at Viewer Discretion Advised! (via @TeleportCity)
A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to […]
The Ferroni Brigade considers how Lau Kar-Leung brought comedy to kung fu as well as scrutinized the kung fu film tradition that had come before him. David Bordwell writes about Lau and how sometimes stylized action captures the real better than “realism.”
Actor, director, writer and action choreographer Lau Kar-Leung has died. Most widely known as the director of 36th Chamber of Shaolin, Lau has an extensive filmography. He collaborated with director Chang Cheh and, in his own work, brought humor to and a singular action choreography to his own […]
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The Cultural Gutter 