Vanity Fair interviews the legendary James Hong. “My parents obviously wanted me to be something other than an actor. I said, ‘I’ll be an engineer,” because I like to build things.’ I went into the Army for the Korean War. After two years of that, I didn’t know […]
At Vulture, Bilge Ebiri proflies actor Ke Huy Quan from Everything Everywhere All At Once (2022), Indiana Jones & The Temple of Doom (1984) and The Goonies (1985). “It didn’t take long to discover that Hollywood roles for Asian men were few and far between. He did a […]
At Incurato, the Gutter’s own Beth joins Amrita to write about the appeal of actor Rahul Khanna. “Nothing about his career has been very typical as compared to his peers. He was a VJ on MTV Asia (kids, ask your parents). He went to the Lee Strasberg Theatre […]
At Film Comment, Shonni Enelow writes about a new style of acting in American film. “But something else is brewing. [Jennifer] Lawrence’s characters in Winter’s Bone and The Hunger Games don’t arrive at emotional release or revelation; rather than fight to express themselves, her characters fight not to. […]
At Bright Wall, Dark Room, Carrie Couregen writes an exquisite piece about Jane Fonda and Klute. “Time has a habit of showing us the ways in which it is a flat circle, always continuing but never really changing. I’ve been thinking a lot lately about what makes a […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
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