At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
Friend of the Gutter Ashlee Blackwell has a lovely and powerful meditation on Candyman (1992) and hopes for Nia DaCosta and Jordan Peele’s upcoming Candyman (2021) at Graveyard Shift Sisters. “Candyman has been a delicate enigma, a tale, a very tepid preoccupation of mine since I was ten. […]
At Okayplayer, Clarkisha Kent interviews Rachel True. “Amid the anniversary of The Craft, True spoke with Okayplayer about how the film attempted to tackle issues that are still prevalent today (however clunky), how her spiritual journey led her to pen and publish a hybrid memoir and tarot set, and her […]
At Vulture, Angelica Jade Bastién writes about the Amazon series, Them (2021). “In 2018, the artist Lorraine O’Grady said at a Brooklyn Museum book event, “In the future, white supremacy will no longer need white people.” That future is now. O’Grady’s belief nods to the ways the structures […]
Nisi Shawl and Gerry Caravan discuss the work of Octavia Butler at the Library of America blog. “[M]uch of science fiction’s increasing inclusivity is due to Octavia’s presence. By modeling the creation of imaginary worlds in which she and those like her—and those unlike her yet also unlike […]
“Sesame Street had had originally been conceived as a novel way of bringing remedial education into the homes of disadvantaged children, especially children of color. [Dr. Chester Pierce], though, saw a different kind of potential for a show like this: one that could directly counter and counteract the […]
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The Cultural Gutter 