Bob the Drag Queen’s Wig
Behold the glory of Bob the Drag Queen’s wig in this performance from We’re Here in Selma, Alabama.
From the Archives: What Becomes a Legend Most?
This week the Gutter’s own Angela has wandered up the stairs of an ruined mansion carrying only a candelabra. She’ll be back next month. In the meantime, ponder and enjoy her piece on Candyman (1990)! ~~~ Bernard Rose’s Clive Barker’s Candyman is an intensely 1990s film. Characters smoke […]
“The Ultimate Underdog: On the Legacy of Apollo Creed”
At Roger Ebert.com, David Moses writes about Apollo Creed. “[Rocky] was never truly an underdog—that is the fantasy of the Rocky movies, a series that plays in a vacuum breathing off the air tube of white victimhood, while shutting out real world complications and well … facts. Facts […]
“Uncanny Talent: Clarence Williams III (1939-2021)”
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
“Them is pure degredation porn”
At Vulture, Angelica Jade Bastién writes about the Amazon series, Them (2021). “In 2018, the artist Lorraine O’Grady said at a Brooklyn Museum book event, “In the future, white supremacy will no longer need white people.” That future is now. O’Grady’s belief nods to the ways the structures […]
“There’s Real Danger in these Stories”
Nisi Shawl and Gerry Caravan discuss the work of Octavia Butler at the Library of America blog. “[M]uch of science fiction’s increasing inclusivity is due to Octavia’s presence. By modeling the creation of imaginary worlds in which she and those like her—and those unlike her yet also unlike […]
The Cultural Gutter 