“The Sultan’s Elephant was a show created by the Royal de Luxe theatre company, involving a huge moving mechanical elephant, a giant marionette of a girl and other associated public art installations. In French it was called, La visite du sultan des Indes sur son éléphant à voyager […]
Since DC’s reboot, I have hinted publicly about the comics I want other people to make so that I can read them. And by hinting, I mean, “talking about them endlessly until I inevitably lose friends.” However, hinting doesn’t seem to be getting me anywhere. So I’m harnessing […]
Dangerous Minds has a gallery of papier-mâché masks made by Krista Argale and a gallery of “demonic and dramatic” horned masks made by Aisha Voya. (Thanks, Kate!)
Author Anne Billson has created a blog dedicated to cats and film called “Cats On Film.” I’ll leave you to your browsing. (Thanks, Kate!)
“A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)
The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 