Zolima City Mag has an interview with actor Anthony Wong Chau-Sang. He talks about finding work while blacklisted in China for his support of the umbrella movement, being awarded an Outstanding Achievement at Udine, and, of course, acting.
The South China Morning Post has an interview with actor and musician Anthony Wong Chau-Sang: “But I can see the influence from mainland China increasingly. It makes me feel like I should shut up, do my job, grab some money and then go. Every generation has a job […]
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has […]
This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found […]
Wildgrounds breaks down their most anticipated films of 2011.
This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am. I’m talking Thai, […]
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The Cultural Gutter 