At Slate, Isaac Butler writes about the GALA Committee’s In The Name Of The Place, an art project in which they literally placed activist art in the 1990s night time soap, Melrose Place. “Over Melrose Place’s fourth and fifth seasons, the GALA Committee wound up smuggling more than […]
“It watches,” he added suddenly. “The house. It watches every move you make.” “We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it […]
At The Collector, Susanna Andrews looks at the work of artist Leonora Carrington. “Leonora Carrington was a Surrealist painter and writer who integrated magic and mysticism into her work. She had a rebellious spirit from the beginning, denouncing the Roman Catholicism that was imposed on her as a […]
BBC Archives shares a 1981 Newsnight report on Debbie Harry’s collaboration with H. R. Giger. “Newsnight reporter Robin Denselow reports from Zurich on the unlikely collaboration between singer Debbie Harry and visual artist H.R. Giger. Debbie Harry–best known as the frontwoman of New York punk band Blondie–is about […]
Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
So many Kino Lorber documentaries to watch and you can watch them here. (Thanks, Stephanie, and via Open Culture).
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The Cultural Gutter 