The Gutter’s own Carol Borden has a lot to say about Travis Stevens movie blending horror, Surrealism and Greek tragedy, A Wounded Fawn (USA, 2022). “Travis Stevens’A Wounded Fawn is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite […]
Did you know that mangaka Kazuo Umezu created a feature to promote the release of William Friedkin’s The Exorcist (1972) in Japan? He did–and you can see it here! (Thanks, Sayantan!) You can also read a piece on Kazuo Umezu by the Gutter’s own Carol here.
Who’s been making critters in his lab? The Gutter’s own Alex MacFadyen at his Critter Lab! Check out his ongoing shenanigans here.
At the Verge, Adi Robertson writes about Vera Drew’s The People’s Joker (2022) and copyright law. “I’m not sure exactly how long a copyright term should be to balance artists’ welfare with a cultural commons. I’m not sure exactly what a clearer, more generous fair use system should […]
The Gutter’s own Carol watches Peter Strickland’s new movie, Flux Gourmet (UK, 2022)! Sonic Catering! Sounds generated by food preparation! Art collectives! Gwendoline Christie in magnificent outfits! Digestive issues! Read more here.
Hey, click through here to listen to the newest episode of Surreal Noir from friend of the Gutter Kate Laity! “Tonight’s episode dwells on Letty Lynton, which you may recall is a film, a novel by Marie Belloc Lownds and — gasp! — an early 20th century true […]
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The Cultural Gutter 