At Vashi Visuals, Vashi discusses Margaret Sixel’s editing and George Miller’s editing choices for Mad Max: Fury Road. “One of the many reasons Mad Max: Fury Road is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the […]
Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they […]
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be […]
The summer of 1993 is one I will never forget and can barely remember. It is a sultry, humid swamp haze of hundred degree days spent with no air conditioning in a run-down neighborhood draped in Spanish moss, populated almost entirely by burn-outs, freaks, and students living in […]
Producer David Hannay has died. Hannay is probably best known for Dragon Flies / The Man From Hong Kong (1975), The Kung Fu Killers (1974) and Mapantsula (1987). The Sydney Morning Herald, NZ Edge and IF.com.au have obituaries. Jon Hewitt remembers Hannay at SBS. Brian Trenchard-Smith remembers Hannay […]
This week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April. There are many elements that made […]
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The Cultural Gutter 