The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.
Jean-Michel Van Schouwburg (“The Goblin”) and Katalin Ladik (“The Resurrected Witch”) from the intensely sonic, Berberian Sound Studio, offer a performance of their vocal talent with sound designer Pál Tóth (aka, én) in Budapest.
At Sparks in Electrical Jelly, Jez Winship writes about Peter Strickland’s Berberian Sound Studio, Peter Cargill and the late Trish Keenan of Broadcast, who provide the film’s soundtrack, and the film’s namesake, the great experimental vocalist and composer, Cathy Berberian. It includes fascinating experimental scores for Berberian’s comic-strip […]