At the Verge, Adi Robertson writes about Vera Drew’s The People’s Joker (2022) and copyright law. “I’m not sure exactly how long a copyright term should be to balance artists’ welfare with a cultural commons. I’m not sure exactly what a clearer, more generous fair use system should […]
“We’re going to look at a 1940s Captain Marvel story the way it saw print in Canada back in 1942. As you’ll see, this wasn’t a straight reprint of Fawcett’s Captain Marvel material (as published in CAPTAIN MARVEL ADVENTURES #24. Rather, the entire issue was completely redrawn by […]
“While the top of the charts has been oligopolized, the bottom remains a vibrant anarchy. There are weird books and funky movies and bangers from across the sea. Two of the most interesting video games of the past decade put you in the role of an immigration officer and an […]
One of my great loves in horror is when an inanimate object becomes sinister. Some of my favourites are the trucks and various electronics in Stephen King’s cocaine-fuelled opus, Maximum Overdrive (1986), the spooky mirror in Mike Flanagan’s Oculus (2013), and the diabolical tire and an insidious leather […]
At The Hustle, Mark Dent writes about the history of “Easter eggs” at Atari. “Clayton had picked up a dot, a secret key, in a black castle and carried it back to an earlier room where the dot granted him access to a door. Inside the door was […]
At UnHerd, Dorian Lynskey writes about villains, pop psychology, backstory and corporate storytelling. “What Lumet and Chayefsky were really getting at with their rubber-ducky quip was the pretence that explaining everything is akin to psychological veracity. We are all shaped by our experiences, good and bad, but rarely […]
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The Cultural Gutter 