The unlikeliest story of the 2022 Toronto International Film Festival – more than Taylor Swift or Harry Styles or the presence of any celebrity – is undoubtedly the path Vera Drew’s The People’s Joker has taken to instant notoriety. The recontextualizing of the events in Todd Phillips’ Joker […]
At the Verge, Adi Robertson writes about Vera Drew’s The People’s Joker (2022) and copyright law. “I’m not sure exactly how long a copyright term should be to balance artists’ welfare with a cultural commons. I’m not sure exactly what a clearer, more generous fair use system should […]
“We’re going to look at a 1940s Captain Marvel story the way it saw print in Canada back in 1942. As you’ll see, this wasn’t a straight reprint of Fawcett’s Captain Marvel material (as published in CAPTAIN MARVEL ADVENTURES #24. Rather, the entire issue was completely redrawn by […]
At Tor.com, S.L. Huang writes about the history of writing workshops and its influence on SF/F workshops and writing today. “To those outside the industry, the name “Clarion” might not have much meaning. But to those with aspirations of being a professional SFF author—of joining those like Gaiman—workshops […]
“While the top of the charts has been oligopolized, the bottom remains a vibrant anarchy. There are weird books and funky movies and bangers from across the sea. Two of the most interesting video games of the past decade put you in the role of an immigration officer and an […]
One of my great loves in horror is when an inanimate object becomes sinister. Some of my favourites are the trucks and various electronics in Stephen King’s cocaine-fuelled opus, Maximum Overdrive (1986), the spooky mirror in Mike Flanagan’s Oculus (2013), and the diabolical tire and an insidious leather […]
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The Cultural Gutter 